Lou Mouw

Lokaal 1B, Amsterdam

Performing Remains

Exhibition, solo, 2016

The objects in the room are traces of recent work done with the body. Some are reproductions of objects and people, some are what is left of physical labour, some are what remains of an artistic process that cannot be seen.

None of them adds up to a whole picture. Remains always set up an order between the visible and the invisible, what took material form and what did not. Kaja Silverman calls this the threshold of the visible world.

So an object can stand for a choreography with paper, glue and cardboard, in other words bookbinding, while the work of the body stays invisible. An archive box can hold a story where autobiography and fiction can no longer be separated, and an image that can no longer be separated from its medium. Two photographs of a body mark the time between them.

A gallery with a long paper scroll on the floor, a light box, a large photo of a swimmer and a plinth with stacked boxes
Installation view, Lokaal 1B, Amsterdam
A large print of a swimmer in dark water, a white paper scroll running from it across the floor
A white plinth with stacked cloth-bound boxes, a red box on top
A plank of plywood leaning against a white wall
A small print on a white wall
Folded white paper with a printed line of marks
Close-up of the red box on the white plinth
Close-up of the swimmer print, a dark figure against light water

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